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Does a woofer with a phase plug really add any value to a 3-way design? Seems like a potential for leaking (even more so in a sealed design?), and per comparable radii reduces Sd (ok, not by much but…). I understand proffered advantages (phase plugs) in a 2-way, however looking for input on woofer selection in 3-way. Thx.
And, am I nuts for preferring a paper/Kevlar cone over aluminum?
DCS205-4 vs RS225-8
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dcibel – thanks for the info re pole piece vs venting designs / BL symmetry...
I’ll need to do a bit more noodling; as at first glance the 'higher pressure in a ported vs sealed box' seems a bit counter intuitive, as a sealed design yields a smaller volume box than a ported design, so for the same cone movement…
Hermnn von…and hence the lower excursion at / near fb (vs most sealed designs)
The RS are great drivers, but Dayton left some performance on the table that would not have added any cost to them.
While I am on a Dayton mini-rant, the DA/DS/DSA/SD drivers all use the same shitty frame. Dayton did address the performance issues of the DS with the DSA line, at least on the 6.5" models that I used, but that frame... When you consider that cast frames are not a roadblock to affordable drivers, you have to wonder what drove Dayton's decision to use a shit frame.
Dayton is interesting, I see their product line and say to myself: "Self, isn't that a weird lineup?" Periodically, a forum will go on a "what I wish to see from Dayton" thread, and there will be mention of poly cone RS, high sensitivity midrange drivers, etc - and they introduce that CE stuff lol.
Oh well.
The DCS subwoofers are great drivers.
I have used their 7 inch ES180TiA-8 in a two-way, but would like an 8 for a 3-way, with its 3in vc, its low Fs,... and maybe a tab bit more Xmax
Maybe "less obvious" to hear, but not inaudible. I would argue that the people that make the statement that bass distortion is inaudible simply haven't heard distortion free bass from a speaker. Not that I can blame them, most speakers produce considerable distortion below 100Hz vs the rest of the spectrum, but there's a few that do pretty well below 100Hz, and let me tell you, it's an audible difference. You start to realize just how much of that deep bass you're used to hearing is actually 2nd and 3rd harmonics.
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While I agree totally w dcibel, and have a RS270 3 way in the queue, the MCM 8 inch is super tasty:
https://www.newark.com/mcm-audio-select/55-5670/8-die-cast-woofer-8-ohm-rubbber/dp/95Y2936?ost=55-5670&dym=555670&ddkey=https%3Aen-US%2FElement14_US%2Fsearch
And to continue the PE rant, I'd expect to see "SAVE ONE DAY ONLY - $.13 on this driver!!!!"
dcibel,
My current open back set-up uses dual 12 BR70 beyma's… I’m considering having a bit smaller pair of elephants in the room…
Looking again at a 3-way for what a mid can offer to the voice range (and keep the mid/tw crossover out of the 1-5kHz region). Could use a sub for lowest octave, so thinking an 8in can get towards 40Hz – 60Hz range.
just placed the order for a pair of the MCM's, thx for the recommendation
https://www.newark.com/gradient-acoustics/55-5600/axis-8-kevlar-paper-cone-woofer/dp/84Y8075
Most of the tests are testing specifically for the audibility of distortion which has to be pretty high to pick out on its own as distortion. However, when compared to something that has a lack thereof, there are definitely audible differences even if one doesn't sound particularly like distortion.
Man I like the looks of the 8" TB w8-2096. Is it the real deal? They are a drop-in for the rs225 in the naks or maybe paired with the big Wavecor tweeters.
I have a pair, and they measure NOTHING like spec. However- they are REALLY WELL damped electrically, so control will be their strong suit.
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Quality control an issue?
I don't think it's a QC issue, as the model is similar in result as spec indicates. Parameters are shifted is all, and the motor is really strong.
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